The NOKTON Vintage Line 28mm F1.5 Aspherical is a wide-angle lens that combines three elements: a

large aperture, compact dimensions, and outstanding optical performance. The lens is F1.5, very fast for a

28mm wide-angle lens, with compact 43mm filter diameter and 45.5mm length for portability.

The classically designed lens barrel is equipped with an 8-group, 10-element optical system featuring two

aspherical lens elements on both sides. This delivers outstanding optical performance even at an aperture of

f/1.5.

The minimum focusing distance is 0.5m by the use of a helicoid that can be moved out further from the 0.7m

distance (depending on the camera) linked to the rangefinder.

Two different styles will be offered: The Type I is made of aluminium and weighs 250g. The Type II is made of

brass and has a tactile quality due to its hefty weight of 330g. The Type I styling is reminiscent of modern

classic lenses of the 1970s in matte black paint or silver, while the Type II, reminds us of the famous lenses

of the 1960s and is available in both black paint and silver finishes. The optional lens hood with slits, LH-6

fits both Type I and Type II styles.

In addition to this, the Type II includes a focusing knob that offers a new manual focusing experience. The

accessory knob can be exchanged on the focusing lever by unscrewing the screw in the finger recess and

reattaching with new knob. The focusing knob is metal and focuses the lens at approximately 1 meter from

the lens mount when turned to the 6 o'clock position, allowing the user to zone focus by the angle of the

knob.

The optical design of this lens is optimized for use with rangefinder-coupled digital and film cameras. It also

may be used on mirrorless cameras through the use of a mount adapter, making it suitable for use on a

variety of platforms beyond rangefinder cameras.

The NOKTON Vintage Line 28mm F1.5 Aspherical is a wide-angle lens that combines three elements: a

large aperture, compact dimensions, and outstanding optical performance. The lens is F1.5, very fast for a

28mm wide-angle lens, with compact 43mm filter diameter and 45.5mm length for portability.

The classically designed lens barrel is equipped with an 8-group, 10-element optical system featuring two

aspherical lens elements on both sides. This delivers outstanding optical performance even at an aperture of

f/1.5.

The minimum focusing distance is 0.5m by the use of a helicoid that can be moved out further from the 0.7m

distance (depending on the camera) linked to the rangefinder.

Two different styles will be offered: The Type I is made of aluminum and weighs 250g. The Type II is made of

brass and has a tactile quality due to its hefty weight of 330g. The Type I styling is reminiscent of modern

classic lenses of the 1970s in matte black paint or silver, while the Type II, reminds us of the famous lenses

of the 1960s and is available in both black paint and silver finishes. The optional lens hood with slits, LH-6

fits both Type I and Type II styles.

In addition to this, the Type II includes a focusing knob that offers a new manual focusing experience. The

accessory knob can be exchanged on the focusing lever by unscrewing the screw in the finger recess and

reattaching with new knob. The focusing knob is metal and focuses the lens at approximately 1 meter from

the lens mount when turned to the 6 o'clock position, allowing the user to zone focus by the angle of the

knob.

The optical design of this lens is optimized for use with rangefinder-coupled digital and film cameras. It also

may be used on mirrorless cameras through the use of a mount adapter, making it suitable for use on a

variety of platforms beyond rangefinder cameras.

The NOKTON Vintage Line 28mm F1.5 Aspherical is a wide-angle lens that combines three elements: a

large aperture, compact dimensions, and outstanding optical performance. The lens is F1.5, very fast for a

28mm wide-angle lens, with compact 43mm filter diameter and 45.5mm length for portability.

The classically designed lens barrel is equipped with an 8-group, 10-element optical system featuring two

aspherical lens elements on both sides. This delivers outstanding optical performance even at an aperture of

f/1.5.

The minimum focusing distance is 0.5m by the use of a helicoid that can be moved out further from the 0.7m

distance (depending on the camera) linked to the rangefinder.

Two different styles will be offered: The Type I is made of aluminum and weighs 250g. The Type II is made of

brass and has a tactile quality due to its hefty weight of 330g. The Type I styling is reminiscent of modern

classic lenses of the 1970s in matte black paint or silver, while the Type II, reminds us of the famous lenses

of the 1960s and is available in both black paint and silver finishes. The optional lens hood with slits, LH-6

fits both Type I and Type II styles.

In addition to this, the Type II includes a focusing knob that offers a new manual focusing experience. The

accessory knob can be exchanged on the focusing lever by unscrewing the screw in the finger recess and

reattaching with new knob. The focusing knob is metal and focuses the lens at approximately 1 meter from

the lens mount when turned to the 6 o'clock position, allowing the user to zone focus by the angle of the

knob.

The optical design of this lens is optimized for use with rangefinder-coupled digital and film cameras. It also

may be used on mirrorless cameras through the use of a mount adapter, making it suitable for use on a

variety of platforms beyond rangefinder cameras.

The NOKTON Vintage Line 28mm F1.5 Aspherical is a wide-angle lens that combines three elements: a

large aperture, compact dimensions, and outstanding optical performance. The lens is F1.5, very fast for a

28mm wide-angle lens, with compact 43mm filter diameter and 45.5mm length for portability.

The classically designed lens barrel is equipped with an 8-group, 10-element optical system featuring two

aspherical lens elements on both sides. This delivers outstanding optical performance even at an aperture of

f/1.5.

The minimum focusing distance is 0.5m by the use of a helicoid that can be moved out further from the 0.7m

distance (depending on the camera) linked to the rangefinder.

Two different styles will be offered: The Type I is made of aluminum and weighs 250g. The Type II is made of

brass and has a tactile quality due to its hefty weight of 330g. The Type I styling is reminiscent of modern

classic lenses of the 1970s in matte black paint or silver, while the Type II, reminds us of the famous lenses

of the 1960s and is available in both black paint and silver finishes. The optional lens hood with slits, LH-6

fits both Type I and Type II styles.

In addition to this, the Type II includes a focusing knob that offers a new manual focusing experience. The

accessory knob can be exchanged on the focusing lever by unscrewing the screw in the finger recess and

reattaching with new knob. The focusing knob is metal and focuses the lens at approximately 1 meter from

the lens mount when turned to the 6 o'clock position, allowing the user to zone focus by the angle of the

knob.

The optical design of this lens is optimized for use with rangefinder-coupled digital and film cameras. It also

may be used on mirrorless cameras through the use of a mount adapter, making it suitable for use on a

variety of platforms beyond rangefinder cameras.

The new redesigned compact Ultron Vintage Line 28mm F2.0 Aspherical VM Type I features improved aspherical optical performance utilising10 lens elements in 7 groups. The new lens is sharper, smaller, lighter and available in three classic lens style.



Type I lenses have 1950?s Chrome and Black styling with a retro quick focusing knob. The lens accepts optional aluminium LH-4N and LH-12 lens hoods. Sold separately

The new redesigned compact Ultron Vintage Line 28mm F2.0 Aspherical VM Type II features improved aspherical optical performance utilising10 lens elements in 7 groups. The new lens is sharper, smaller, lighter and available in three classic lens style.

Type II lenses have a 1970?s Black Paint or Chrome Plating style on an all brass lens barrel with a fast focusing comfortable classic style focusing tab.

The lens accepts the optional aluminium LH-4N and LH-12 lens hoods. Sold separately

The new redesigned compact Ultron Vintage Line 28mm F2.0 Aspherical VM Type II features improved aspherical optical performance utilising10 lens elements in 7 groups. The new lens is sharper, smaller, lighter and available in three classic lens style.

Type II lenses have a 1970?s Black Paint or Chrome Plating style on an all brass lens barrel with a fast focusing comfortable classic style focusing tab.

The lens accepts the optional aluminium LH-4N and LH-12 lens hoods. Sold separately

The Voigtlander COLOR-SKOPAR 28mm F2.8 Aspherical VM Type II is a high-performance wide-angle lens focused on light handling for rangefinder cameras. The latest optical design and aspherical lens elements maintain the same optical performance as our Voigtländer ULTRON Vintage Line 28mm F2 Aspherical VM, while keeping the maximum aperture at F2.8 to achieve extreme portability.

Type II has a modern style with a straight helicoid system. The lens exterior is made of aluminum to further reduce weight. It is available in black and silver finishes.

All models have extremely compact exteriors, and the lenses combine the mobility of a rangefinder camera with the beautiful design of a snap-shooter. The optical system consists of 8 elements in 5 groups, including one double-sided aspheric lens. The lens has been optimized for use with rangefinder-linked digital and film cameras.

The Voigtlander COLOR-SKOPAR 28mm F2.8 Aspherical VM Type II is a high-performance wide-angle lens focused on light handling for rangefinder cameras. The latest optical design and aspherical lens elements maintain the same optical performance as our Voigtländer ULTRON Vintage Line 28mm F2 Aspherical VM, while keeping the maximum aperture at F2.8 to achieve extreme portability.

Type II has a modern style with a straight helicoid system. The lens exterior is made of aluminum to further reduce weight. It is available in black and silver finishes.

All models have extremely compact exteriors, and the lenses combine the mobility of a rangefinder camera with the beautiful design of a snap-shooter. The optical system consists of 8 elements in 5 groups, including one double-sided aspheric lens. The lens has been optimized for use with rangefinder-linked digital and film cameras.

The Voigtlander COLOR-SKOPAR 28mm F2.8 Aspherical VM is a high-performance wide-angle lens focused on light handling for rangefinder cameras. The latest optical design and aspherical lens elements maintain the same optical performance as our Voigtländer ULTRON Vintage Line 28mm F2 Aspherical VM, while keeping the maximum aperture at F2.8 to achieve extreme portability.

Type I has a nostalgic appearance thanks to the use of a rotating helicoid system, and a brass lens exterior. It is available in black paint and silver finishes.

All models have extremely compact exteriors, and the lenses combine the mobility of a rangefinder camera with the beautiful design of a snap-shooter. The optical system consists of 8 elements in 5 groups, including one double-sided aspheric lens. The lens has been optimized for use with rangefinder-linked digital and film cameras.

The Voigtlander COLOR-SKOPAR 28mm F2.8 Aspherical VM is a high-performance wide-angle lens focused on light handling for rangefinder cameras. The latest optical design and aspherical lens elements maintain the same optical performance as our Voigtländer ULTRON Vintage Line 28mm F2 Aspherical VM, while keeping the maximum aperture at F2.8 to achieve extreme portability.

Type I has a nostalgic appearance thanks to the use of a rotating helicoid system, and a brass lens exterior. It is available in black paint and silver finishes.

All models have extremely compact exteriors, and the lenses combine the mobility of a rangefinder camera with the beautiful design of a snap-shooter. The optical system consists of 8 elements in 5 groups, including one double-sided aspheric lens. The lens has been optimized for use with rangefinder-linked digital and film cameras.

The Voigtlander COLOR-SKOPAR 28mm F2.8 Aspherical L39 is a high-performance wide-angle lens focused on light handling for rangefinder cameras. The latest optical design and aspherical lens elements maintain the same optical performance as our Voigtländer ULTRON Vintage Line 28mm F2 Aspherical VM, while keeping the maximum aperture at F2.8 to achieve extreme portability.

Type I has a nostalgic appearance thanks to the use of a rotating helicoid system, and a brass lens exterior. It is available in black paint and silver finishes.

All models have extremely compact exteriors, and the lenses combine the mobility of a rangefinder camera with the beautiful design of a snap-shooter. The optical system consists of 8 elements in 5 groups, including one double-sided aspheric lens.

The Voigtlander COLOR-SKOPAR 28mm F2.8 Aspherical L39 is a high-performance wide-angle lens focused on light handling for rangefinder cameras. The latest optical design and aspherical lens elements maintain the same optical performance as our Voigtländer ULTRON Vintage Line 28mm F2 Aspherical VM, while keeping the maximum aperture at F2.8 to achieve extreme portability.

Type I has a nostalgic appearance thanks to the use of a rotating helicoid system, and a brass lens exterior. It is available in black paint and silver finishes.

All models have extremely compact exteriors, and the lenses combine the mobility of a rangefinder camera with the beautiful design of a snap-shooter. The optical system consists of 8 elements in 5 groups, including one double-sided aspheric lens.

The brand new 50mm f1.0 Nokton Aspherical VM Lens is Voigtlander's fastest VM lens. It promises exceptional optical performance due to the newly designed GA (Ground Aspherical) lens element.
The NEW Voigtlander 50mm f1.0 Nokton Aspherical VM lens uses the very latest GA (ground aspherical) lens element manufacturing technique, producing the fastest and sharpest f1.0 lens in the entire Voigtlander full-frame interchangeable lens line up. At only 55mm in length, this lens is relatively compact

GA (ground aspherical) lens
A sharp and unique style
Beautiful bokeh with 12 diaphragm blades

You may ask why this lens has been announced - when Voigtlander already have a 50mm f1.1. The 50mm f1.2 is a brand new lens design, with a similar specification to the exceedingly popular 40mm f1.2 VM lens.

This lens features two aspherical elements & a 12 aperture blade diaphragm - allowing exceptional performance from F22 all the way to wide open.

The 50mm f1.2 is designed for use with both digital and film photography and is equipped with a rangefinder coupling cam. The minimum close focus distance of this lens is 70cm.

Both the LH-8 and LH-10 lens hoods can be used with this lens. The LH-10 is a brand new lens hood designed for this lens, though you can also use the more compact LH-8.

Main Features:
Enhanced high performance aspherical lens surfaces
Extremely solid and durable all-metal barrel
Manual focus
12 aperture blades
VM Bayonet Mount
Focus coupling system
Minimum focus distance: 70

With two aspherical surfaces, the new 50mm f1.5 II from Voigtlander could be one of their best 50mm lenses yet! An apparent vast improvement over the original 50mm f1.5 Nokton would take it into Leica territory, in terms of quality. Again, the new 50mm f1.5 II is all-metal construction lens, but with a smooth focusing ring (the 50mm f1.5 has a knurled ring). An interesting difference is that the new version is available in six different variations! A choice of Single or Multi-coated and three colour schemes (Black, Silver and Black Nickel)

With two aspherical surfaces, the new 50mm f1.5 II from Voigtlander could be one of their best 50mm lenses yet! An apparent vast improvement over the original 50mm f1.5 Nokton would take it into Leica territory, in terms of quality. Again, the new 50mm f1.5 II is all-metal construction lens, but with a smooth focusing ring (the 50mm f1.5 has a knurled ring). An interesting difference is that the new version is available in six different variations! A choice of Single or Multi-coated and three colour schemes (Black, Silver and Black Nickel)

With two aspherical surfaces, the new 50mm f1.5 II from Voigtlander could be one of their best 50mm lenses yet! An apparent vast improvement over the original 50mm f1.5 Nokton would take it into Leica territory, in terms of quality. Again, the new 50mm f1.5 II is all-metal construction lens, but with a smooth focusing ring (the 50mm f1.5 has a knurled ring). An interesting difference is that the new version is available in six different variations! A choice of Single or Multi-coated and three colour schemes (Black, Silver and Black Nickel)

With two aspherical surfaces, the new 50mm f1.5 II from Voigtlander could be one of their best 50mm lenses yet! An apparent vast improvement over the original 50mm f1.5 Nokton would take it into Leica territory, in terms of quality. Again, the new 50mm f1.5 II is all-metal construction lens, but with a smooth focusing ring (the 50mm f1.5 has a knurled ring). An interesting difference is that the new version is available in six different variations! A choice of Single or Multi-coated and three colour schemes (Black, Silver and Black Nickel)

The HELIAR classic 50mm F1.5 VM is finished to show classical depiction at the wide open apertures by the aberrations that intentionally remained. The Heliar Classic is measured by a different yard stick. Heliar images are about classic style.

This image effect is painterly or even "more fluffy" than images made by modern lenses. By leaving some factors of aberration, both coma and spherical, we create a different image flavor than contemporary images made in digital post-processing. Not every subject demands maximum sharpness and saturation, some require a more delicate touch. Our optical formula is like a hand reaching back in time.

This look cannot be obtained with modern lenses that over correct for various aberrations. In addition to the superior bokeh the remaining frame flare and single coated finish provide an extremely unique palette at wide open aperture settings.