The NOKTON Vintage Line 35mm F1.5 Aspherical is a regular use lens for rangefinder cameras with a large aperture. Still, the filter diameter is kept to φ39mm and the overall length of the product is short at 36mm, giving it a tight, compact portability.

The lens barrel, with a modern classic design, is equipped with a 6-group, 9-element optical system featuring two double-sided aspheric lenses, which provide excellent optical performance at all apertures.

The minimum focusing distance is 0.5m, shorter than the 0.7m linked to the rangefinder (depending on the camera to which it is attached).

Two styles are available: First, there is Type I, made of aluminum and weighing 188g having both light weight and maximum portability. Also offered is Type II, made of brass and weighing 284g for a sturdy and substantial feeling, with a finish choice of either black or silver.

The optional hoods LH-4N with slits and LH-12 classic style are both compatible.

The NOKTON Vintage Line 35mm F1.5 Aspherical is a regular use lens for rangefinder cameras with a large aperture. Still, the filter diameter is kept to φ39mm and the overall length of the product is short at 36mm, giving it a tight, compact portability.

The lens barrel, with a modern classic design, is equipped with a 6-group, 9-element optical system featuring two double-sided aspheric lenses, which provide excellent optical performance at all apertures.

The minimum focusing distance is 0.5m, shorter than the 0.7m linked to the rangefinder (depending on the camera to which it is attached).

Two styles are available: First, there is Type I, made of aluminum and weighing 188g having both light weight and maximum portability. Also offered is Type II, made of brass and weighing 284g for a sturdy and substantial feeling, with a finish choice of either black or silver.

The optional hoods LH-4N with slits and LH-12 classic style are both compatible.

The NOKTON Vintage Line 35mm F1.5 Aspherical is a regular use lens for rangefinder cameras with a large aperture. Still, the filter diameter is kept to φ39mm and the overall length of the product is short at 36mm, giving it a tight, compact portability.

The lens barrel, with a modern classic design, is equipped with a 6-group, 9-element optical system featuring two double-sided aspheric lenses, which provide excellent optical performance at all apertures.

The minimum focusing distance is 0.5m, shorter than the 0.7m linked to the rangefinder (depending on the camera to which it is attached).

Two styles are available: First, there is Type I, made of aluminum and weighing 188g having both light weight and maximum portability. Also offered is Type II, made of brass and weighing 284g for a sturdy and substantial feeling, with a finish choice of either black or silver.

The optional hoods LH-4N with slits and LH-12 classic style are both compatible.

The Voigtlander ULTRON Vintage Line 35mm F2 Aspherical VM II is a compact semi wide-angle lens with a new optical design consisting of 8 elements in 5 groups.

The optional LH-4N & LH-12 lens hoods manufactured from aluminum feature a bayonet mount for quick attachment / removal and crystal paint highly valued for its classical texture.

Main Features

? Classical styling reminiscent of the 1950s
? Element with aspherical surfaces ensures excellent performance from maximum aperture
? Extremely solid and durable all-metal barrel
? Manual focus for precise focusing
? Aperture mechanism with 10 aperture blades for beautiful bokeh
? Bayonet type VM-mount

The Voigtlander ULTRON Vintage Line 35mm F2 Aspherical VM II is a compact semi wide-angle lens with a new optical design consisting of 8 elements in 5 groups.

The optional LH-4N & LH-12 lens hoods manufactured from aluminum feature a bayonet mount for quick attachment / removal and crystal paint highly valued for its classical texture.

Main Features

? Classical styling reminiscent of the 1950s
? Element with aspherical surfaces ensures excellent performance from maximum aperture
? Extremely solid and durable all-metal barre

The new 35mm Apo-Lanthar VM lens has the highest resolution and highest colour correction of all Voigtl?nder 35mm VM lenses, optimised for both full frame M digital & film cameras. As Voigtl?nder?s best performing VM 35mm wide angle lens ever

Lens design includes apochromatic colour correction, floating lens elements for better close focusing performance, two double sided aspherical elements, five abnormal partial dispersion elements and superior multi-coating for outstanding flare control. Optical performance is quite simply extraordinary.

With two aspherical surfaces, the new 50mm f1.5 II from Voigtlander could be one of their best 50mm lenses yet! An apparent vast improvement over the original 50mm f1.5 Nokton would take it into Leica territory, in terms of quality. Again, the new 50mm f1.5 II is all-metal construction lens, but with a smooth focusing ring (the 50mm f1.5 has a knurled ring). An interesting difference is that the new version is available in six different variations! A choice of Single or Multi-coated and three colour schemes (Black, Silver and Black Nickel)

With two aspherical surfaces, the new 50mm f1.5 II from Voigtlander could be one of their best 50mm lenses yet! An apparent vast improvement over the original 50mm f1.5 Nokton would take it into Leica territory, in terms of quality. Again, the new 50mm f1.5 II is all-metal construction lens, but with a smooth focusing ring (the 50mm f1.5 has a knurled ring). An interesting difference is that the new version is available in six different variations! A choice of Single or Multi-coated and three colour schemes (Black, Silver and Black Nickel)

With two aspherical surfaces, the new 50mm f1.5 II from Voigtlander could be one of their best 50mm lenses yet! An apparent vast improvement over the original 50mm f1.5 Nokton would take it into Leica territory, in terms of quality. Again, the new 50mm f1.5 II is all-metal construction lens, but with a smooth focusing ring (the 50mm f1.5 has a knurled ring). An interesting difference is that the new version is available in six different variations! A choice of Single or Multi-coated and three colour schemes (Black, Silver and Black Nickel)

With two aspherical surfaces, the new 50mm f1.5 II from Voigtlander could be one of their best 50mm lenses yet! An apparent vast improvement over the original 50mm f1.5 Nokton would take it into Leica territory, in terms of quality. Again, the new 50mm f1.5 II is all-metal construction lens, but with a smooth focusing ring (the 50mm f1.5 has a knurled ring). An interesting difference is that the new version is available in six different variations! A choice of Single or Multi-coated and three colour schemes (Black, Silver and Black Nickel)

The HELIAR classic 50mm F1.5 VM is finished to show classical depiction at the wide open apertures by the aberrations that intentionally remained. The Heliar Classic is measured by a different yard stick. Heliar images are about classic style.

This image effect is painterly or even "more fluffy" than images made by modern lenses. By leaving some factors of aberration, both coma and spherical, we create a different image flavor than contemporary images made in digital post-processing. Not every subject demands maximum sharpness and saturation, some require a more delicate touch. Our optical formula is like a hand reaching back in time.

This look cannot be obtained with modern lenses that over correct for various aberrations. In addition to the superior bokeh the remaining frame flare and single coated finish provide an extremely unique palette at wide open aperture settings.

The NEW Voigtlander APO-Lanthar 50mm f/2 Aspherical lens for Leica M-Mount cameras is based on the Sony E-Mount version released last year (2020), and has been optimised for full-frame M-mount sensors. Voigtlander only gives the APO-Lanthar title to high-performance products, those with ?outstanding imaging performance?.

Optically the lens is constructed of 10 elements in eight groups, with two abnormally dispersed glass elements and two double-sided aspherical lenses along with a floating mechanism. This produces perfectly circular bokeh wide open and also closed down as far as f/5.6 thanks to its 12-bladed diaphragm. The apochromat design produces the ?ultimate performance? in regards resolution and contrast.

The COLOR SKOPAR 50mm F2.2 is a manual focus standard lens optimized for full size VM mount sensors. Cosina lens designers succeeded in reducing the exterior lens barrel length to only 30mm, despite this being a 50mm F2.2 standard lens.

High performance optics using 7 elements in 6 groups including 3 elements of anomalous partial dispersion glass achieve excellent optical performance even wide open at F2.2. It is possible to focus beyond the minimum rangefinder distance of 0.7 m and up to 0.5 m with the interlocking of the rangefinder. It is effective when shooting with a camera equipped with a live view function.

It comes with a compact, straight-type hood that is shaped so that it does not obstruct the rangefinder camera rangefinder window.

The COLOR SKOPAR 50mm F2.2 is a manual focus standard lens optimized for full size VM mount sensors. Cosina lens designers succeeded in reducing the exterior lens barrel length to only 30mm, despite this being a 50mm F2.2 standard lens.

High performance optics using 7 elements in 6 groups including 3 elements of anomalous partial dispersion glass achieve excellent optical performance even wide open at F2.2. It is possible to focus beyond the minimum rangefinder distance of 0.7 m and up to 0.5 m with the interlocking of the rangefinder. It is effective when shooting with a camera equipped with a live view function.

It comes with a compact, straight-type hood that is shaped so that it does not obstruct the rangefinder camera rangefinder window.