With two aspherical surfaces, the new 50mm f1.5 II from Voigtlander could be one of their best 50mm lenses yet! An apparent vast improvement over the original 50mm f1.5 Nokton would take it into Leica territory, in terms of quality. Again, the new 50mm f1.5 II is all-metal construction lens, but with a smooth focusing ring (the 50mm f1.5 has a knurled ring). An interesting difference is that the new version is available in six different variations! A choice of Single or Multi-coated and three colour schemes (Black, Silver and Black Nickel)

With two aspherical surfaces, the new 50mm f1.5 II from Voigtlander could be one of their best 50mm lenses yet! An apparent vast improvement over the original 50mm f1.5 Nokton would take it into Leica territory, in terms of quality. Again, the new 50mm f1.5 II is all-metal construction lens, but with a smooth focusing ring (the 50mm f1.5 has a knurled ring). An interesting difference is that the new version is available in six different variations! A choice of Single or Multi-coated and three colour schemes (Black, Silver and Black Nickel)

With two aspherical surfaces, the new 50mm f1.5 II from Voigtlander could be one of their best 50mm lenses yet! An apparent vast improvement over the original 50mm f1.5 Nokton would take it into Leica territory, in terms of quality. Again, the new 50mm f1.5 II is all-metal construction lens, but with a smooth focusing ring (the 50mm f1.5 has a knurled ring). An interesting difference is that the new version is available in six different variations! A choice of Single or Multi-coated and three colour schemes (Black, Silver and Black Nickel)

With two aspherical surfaces, the new 50mm f1.5 II from Voigtlander could be one of their best 50mm lenses yet! An apparent vast improvement over the original 50mm f1.5 Nokton would take it into Leica territory, in terms of quality. Again, the new 50mm f1.5 II is all-metal construction lens, but with a smooth focusing ring (the 50mm f1.5 has a knurled ring). An interesting difference is that the new version is available in six different variations! A choice of Single or Multi-coated and three colour schemes (Black, Silver and Black Nickel)

The HELIAR classic 50mm F1.5 VM is finished to show classical depiction at the wide open apertures by the aberrations that intentionally remained. The Heliar Classic is measured by a different yard stick. Heliar images are about classic style.

This image effect is painterly or even "more fluffy" than images made by modern lenses. By leaving some factors of aberration, both coma and spherical, we create a different image flavor than contemporary images made in digital post-processing. Not every subject demands maximum sharpness and saturation, some require a more delicate touch. Our optical formula is like a hand reaching back in time.

This look cannot be obtained with modern lenses that over correct for various aberrations. In addition to the superior bokeh the remaining frame flare and single coated finish provide an extremely unique palette at wide open aperture settings.

The NEW Voigtlander APO-Lanthar 50mm f/2 Aspherical lens for Leica M-Mount cameras is based on the Sony E-Mount version released last year (2020), and has been optimised for full-frame M-mount sensors. Voigtlander only gives the APO-Lanthar title to high-performance products, those with ?outstanding imaging performance?.

Optically the lens is constructed of 10 elements in eight groups, with two abnormally dispersed glass elements and two double-sided aspherical lenses along with a floating mechanism. This produces perfectly circular bokeh wide open and also closed down as far as f/5.6 thanks to its 12-bladed diaphragm. The apochromat design produces the ?ultimate performance? in regards resolution and contrast.

The COLOR SKOPAR 50mm F2.2 is a manual focus standard lens optimized for full size VM mount sensors. Cosina lens designers succeeded in reducing the exterior lens barrel length to only 30mm, despite this being a 50mm F2.2 standard lens.

High performance optics using 7 elements in 6 groups including 3 elements of anomalous partial dispersion glass achieve excellent optical performance even wide open at F2.2. It is possible to focus beyond the minimum rangefinder distance of 0.7 m and up to 0.5 m with the interlocking of the rangefinder. It is effective when shooting with a camera equipped with a live view function.

It comes with a compact, straight-type hood that is shaped so that it does not obstruct the rangefinder camera rangefinder window.

The COLOR SKOPAR 50mm F2.2 is a manual focus standard lens optimized for full size VM mount sensors. Cosina lens designers succeeded in reducing the exterior lens barrel length to only 30mm, despite this being a 50mm F2.2 standard lens.

High performance optics using 7 elements in 6 groups including 3 elements of anomalous partial dispersion glass achieve excellent optical performance even wide open at F2.2. It is possible to focus beyond the minimum rangefinder distance of 0.7 m and up to 0.5 m with the interlocking of the rangefinder. It is effective when shooting with a camera equipped with a live view function.

It comes with a compact, straight-type hood that is shaped so that it does not obstruct the rangefinder camera rangefinder window.