Leica Camera has introduced a next-generation model of its classic M lenses:
the Leica Summicron-M 35 mm f/2 ASPH.each delivering enhanced image performance and quality, thanks to their new optical design.

The impressive Summicron-M 35 mm f/2 ASPH. fast, classic prime lens delivers superior image performance and a unique bokeh. Despite its high speed and exceptional image quality, its dimensions are astoundingly compact. Furthermore, with its eleven blade iris, this new generation lens creates a circular aperture, lending out of focus areas an extremely smooth look and feel. Images are pin-sharp with rich contrast, and almost completely free from distortion with superb bokeh at all apertures and distances and even when shooting wide open.

Leica Camera has introduced a next-generation model of its classic M lenses:
the Leica Summicron-M 35 mm f/2 ASPH.each delivering enhanced image performance and quality, thanks to their new optical design.

The impressive Summicron-M 35 mm f/2 ASPH. fast, classic prime lens delivers superior image performance and a unique bokeh. Despite its high speed and exceptional image quality, its dimensions are astoundingly compact. Furthermore, with its eleven blade iris, this new generation lens creates a circular aperture, lending out of focus areas an extremely smooth look and feel. Images are pin-sharp with rich contrast, and almost completely free from distortion with superb bokeh at all apertures and distances and even when shooting wide open.

The compact APO-Summicron-M 35 f/2 ASPH. pushes the limits of the technology to deliver uncompromising optical performance. With a minimum focusing distance that is rarely found within the M-System, the new lens provides an even greater scope for creativity.
A masterpiece of German engineering for next-level authenticity.
Leica APO-Summicron-M 35 f/2 ASPH.
The ten lens elements are divided into five groups; three elements feature aspherical surfaces (one of them on both sides). Six elements are made of glasses with anomalous partial dispersion, which not only reduce chromatic aberrations to almost zero, but also provide apochromatic correction ?a quality that is rarely found in lenses of this focal length.

Close focus distance up to 0.4 m

Possible by a patent-pending double cam unit newly developed by Leica engineers. As a result, the rotation angle of the focus ring could be almost doubled to 176°in comparison to the previous model – with the same compact size of the lens.

Close focus distance up to 0.4 m

Possible by a patent-pending double cam unit newly developed by Leica engineers. As a result, the rotation angle of the focus ring could be almost doubled to 176°in comparison to the previous model – with the same compact size of the lens.

The Macro-Elmar-M 90 mm f/4 can be used as a compact 90 mm telephoto lens or, in combination with the Leica Macro-Adapter-M, for macro shots up to a magnification of 1:2. Either way, the lens provides an incredibly high imaging performance.

Without the adapter, the Leica Macro-Elmar-M 90 mm f/4 is an extremely versatile telephoto lens ? for example, for portraits with shallow depth of field and in travel photography for capturing details in landscapes. For reportage photography, the Leica Macro-Elmar-M 90 mm f/4 allows photographers to capture discreet shots at a greater distance from the subjects. The Leica Macro-Elmar-M 90 mm f/4 is a compact and lightweight alternative to existing Leica M-Lenses of this focal length. When not in use, the lens can be collapsed to save valuable space in the camera bag.

Apochromatic colour correction and an aspherical lens surface are combined for the first time in this lens of this type. Of its five individual elements, two are made of high-refraction glass, while two others feature anomalous partial dispersion. Its brilliance and quality of resolution are exemplary even at full aperture. Light falloff is very low. Its fast aperture, for a 90mm lens, lets you shoot at relatively short exposure times even in dim light, helping to minimise the effects of camera shake, for instance when photographing street scenes from a distance.